Among recent detector-finds from England are rather odd-looking
cruciform (cross-shaped) mounts. They are often broken, with various projecting
arms, giving the impression of birds, as seen from above. They are decorated
with interlace and triskele motifs (made of three interlocking spirals). From these
designs, we can tell that they date to the eighth and early ninth centuries,
and that they were probably made in Ireland, or perhaps in Irish communities in
Scotland.
An Irish bridle mount recently found in Devon (PAS 'Find-ID' CORN-29D1E2) image courtesy of the PAS |
It's also clear, however, that mounts sometimes
became separated from their set. Single mounts were often recycled to
be used in other ways, for instance, as weights (see post below) or items of
jewellery. The mount seen here from Devon occupies an intermediary position: it has been separated from its set, but not yet adapted for alternative use. These isolated mounts were clearly very popular among the Vikings: numerous examples have been found in the Scandinavian homelands, as well as in regions
associated with Viking activity in Britain.
Why
they were so popular, when they couldn't be used for their original purpose, is
an interesting question. Since the mounts were made in Ireland, it's likely
that many items were seized as loot during Viking raids on Ireland the west
coast of Scotland in the eighth and ninth centuries. Although they are not
made of precious metal, they are highly decorative. They probably held symbolic
value, serving to associate their owners with the prestige and wealth gained
through raiding activity in the West.
Irish mounts and other artefacts recovered from the River Blackwater. Copyright Ulster Museum |
Fascinating; this begins to make sense of the fragments in my database, so thank you! I may be in touch via my Glasgow University email in future, if that is okay. I'm currently nearing the end of my Third Year in my PhD (where I'm studying Viking Age trade networks and their relation to dirhams) under Colleen Batey.
ReplyDeleteCheers,
Tom Horne.
Great! Please do get in touch. I'd be *very* interested to hear about your work.
ReplyDeleteBest,
Jane