Modern reproductions of Viking-Age artefacts are often of a really high quality. Indeed, sometimes they are so good that even the experts mistake them for genuine items. One such ‘fake’ is this Thor’s hammer pendant, said to have been found south of Carlisle. It was acquired by the British Museum in 1990.
|A modern-day forgery of a Thor's hammer pendant|
(image © British Museum)
Thor’s hammers are interpreted as miniature representations of Mjolnir, the mythical hammer of the pagan Norse God Thor. In the Viking Age, both men and women wore them as pendants, probably for protective purposes. At the time of the ‘discovery’ of the Carlisle pendant, only one other Thor’s hammer was known from England (from the Cuerdale hoard). But since then, many more have come to light. In the context of these new finds, a few features of the Carlisle Thor’s hammer stand out. As James Graham-Campbell shows in a recent book, it can now be identified as a modern fake.
There are 3 main clues: 2 stylistic, and 1 scientific.
The first is its decoration. Triangular stamps are very common on Viking-Age artefacts. But these typically contain just one or three pellets: the use of six pellets, as on this hammer, is extremely unusual. Zooming in to see these triangular stamps up close, it's clear that they have been applied very precisely (although not symmetrically). Indeed, it looks like they were cast in the mould, rather than applied to the pendant after casting. Such precision is unusual. Normally, such stamps are applied casually - they overlap, are unevenly executed and, in general, are a bit wonky. The image on the right shows the stamps on a silver arm-ring from the Vale of York hoard (including triangles with three pellets). These give a much more accurate impression of the true character of Viking stamped decoration.
|The triangular stamps are too precise, |
and the use of 6 pellets is atypical
(image © British Museum)
|The overlapping and lop-sided stamps on this arm-ring are more |
representative of Viking-Age decoration (image © British Museum)
The second feature that raises suspicion is they way the pendant is suspended. The ends of the suspension ring are secured by a rivet. But usually the ends of suspension rings, and indeed rings in general, are simply twisted together. The plain globular knob, through which the suspension ring passes, is also out of place. Thor’s hammers from England usually have either a looped end, as is the case with this example from Norfolk, or a simple perforation through the ‘handle’.
|This genuine Thor's hammer pendant from Norfolk has a |
typical suspension loop (image © PAS)
But what clinches it for me is its metal content. Analysis at the British Museum revealed that the pendant was made of 93% silver, with the rest being copper. What was missing was gold. Gold naturally occurs in silver and is found in small amounts in most ancient ‘silver’. Crucially, however, it is refined out of modern silver. Its absence in this Thor’s hammer therefore suggests that the pendant is modern.
So how did the maker of this pendant (whose identity is not known) come up with this design? As James Graham-Campbell points out, in the early 1980s a very popular Vikings Exhibition was held in York. The accompanying exhibition catalogue contains a drawing of a man in reconstructed Viking dress. Around his neck hangs a Thor's hammer decorated with triangular stamps containing 6 pellets. Although it can't be proved, it's likely that this artistic interpretation served as the inspiration for the modern-day forger.