One of the main barriers to analysing silver objects is getting permission to sample destructively. Understandably, museum curators are often reluctant to allow researchers to drill or otherwise remove metal samples from their precious objects for analysis in the lab.
Other means of analysing silver objects that don’t leave any visible damage are therefore of great interest. Analysing objects by laser ablation, which is coupled to a mass spectrometer and can be used for both lead isotope and trace element analysis, offers one such method. Critically, unlike XRF and other analytical methods that measure only a layer of a few micrometres, laser ablation gets below the surface of an object to measure the bulk alloy. This ensures that the results we get aren’t affected by silver surface enrichment: an issue known to affect Viking silver.
Laser ablation has the same high accuracy trace-element/lead isotope capabilities and low detection limits of solution-based analysis (requiring destructive sampling), and has returned precise and reliable results for both types of analysis in recent work. Most importantly, the small diameter of the laser ablation spot is about the diameter of a strand of hair. This means that the method is not visible to the naked eye, allowing for the characterisation of museum artefacts that would otherwise be barred from analysis. Since it requires no sample preparation, laser analysis is also cost- and time-efficient. So, win, win.
So far, there have been very few analyses of silver via laser ablation methods. But a few weeks ago, I analysed some of the Bedale hoard objects this way with Dr Simon Chenery at the British Geological Survey (for a nice video of the Bedale hoard, see here). We managed to analyse 18 of the 37 silver items in one working day (not bad going at all). A constraint was fitting the items within the laser ablation chamber (measuring about 10 by 10 by 2 cm). There was no way that the enormous silver torc from the hoard, seen in the picture above, was going to fit! But by careful arranging of the other items, we fit several ingots in one analytical session. By having them all facing inwards in a clock-like manner, we ensured that the laser didn’t have to move about too much as it jumped from one object to the next.
Ingots from the Bedale hoard snuggly positioned on the laser ablation tray |
Live results. The laser beam quickly penetrated the surface of the silver ingots. |
A big thanks to Simon Chenery at the BGS, as well as the fantastic curators at the Yorkshire Museum: Andy Woods, Lucy Creighton and Emily Tilley.
When the torc came fresh out of the ground, the 4 braids were each of a slightly different colour, suggesting different impurities in each. When Lee Clark of York Museum gave a talk on the hoard a few years later I asked him about this feature but little was known about it.
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